There was a time when blonde lace was ubiquitous, as we learn if we look at ladies’ attire for court events. Certain magazines listed not only the attendees but also what they wore. For example, if you type “blonde” into the search box for this 1831 Royal Lady’s Magazine, you will notice that nearly every single lady wore blonde or blonde lace to the Queen’s Drawing Rooms.
This is why blonde lace features in so many of my 1830s-set books. However, the term “blonde” can be a little puzzling when we’re confronted with a description referring to “black blonde,” as happens in A Duke in Shining Armor.
Blonde lace is a silk bobbin lace. A search on YouTube will show it being made, and give you an idea why the handmade version was so very expensive and highly prized. The “blonde” part refers to the silk’s natural color, which was ecru. Once a way was found to make the silk stronger, it could be lightened, for a white blonde, and dyed, for black blonde.
Still, terminology can be confusing. “Next to Chantilly the blondes are the most important among the silk laces.” Yet elsewhere we’re told that Chantilly is a blonde lace. My impression is, the blonde made in Chantilly was considered superior. Any textile experts reading this are invited to provide further enlightenment.
These fine details, however, don’t seem to be crucial to the magazines, and definitely aren’t crucial for my books. For the purposes of A Duke in Shining Armor in particular, what you’d probably rather see are examples.