Let’s face it. My brain simply isn’t big enough to finish writing a book, blog every other day or so at Two Nerdy History Girls and blog here, too.
Now, though, I’ve sent off the copyedited manuscript (more about that later)—and the experience may well provide blog fodder. That leaves me in the stage of staring into space, wondering what the next book will be about.
So here’s some news.
Avon has reissued “The Mad Earl’s Bride” along with works by Catherine Anderson and Samantha James, in a handsome new volume titled Three Times a Bride, which will be out in May.
You can learn more about early 19th century weddings and dresses here.
The wedding dress pictured below is from the 1829 Ackermann’s Repository, as is the description.
A ROUND dress of Brussels lace over a slip of white gros de Tours ; the body of the slip is cut low and square ; the corsage of the dress is made up to the throat and fastens behind, it sets close to the shape round the upper part of the bust, but has a little fulness at the bottom of the waist. Long sleeve à l’Imbecille over the manche à la bêret of the slip. A biais of white lace, finished at the upper edge by a white satin rouleau, goes round the skirt, and is surmounted by an embroidery of uncommon depth and beauty. A Turkish pelisse of white satin is worn over the lace dress; it is open in front, and the corsage open before and behind falls over the bust in a deep fold, which is divided on the shoulder; a satin rouleau edges the front and corsage of the pelisse; the bottom of which has no other trimming than an ourlet of uncommon breadth. The hair is arranged in front in the Madona style, and disposed in full bows on the crown of the head. Head-dress, a garland of flowers (orange) and a Brussels lace veil; pearl necklace, from which is suspended a diamond cross; diamond earrings ; gold bracelets, à la Grecque, with diamond clasps ; white satin slippers laced in the sandal style; white kid gloves.